
1997
Too much noise. Too many colors. Too much flair. For all the visionary angles of Luc Besson in terms of megacity and world ending event in this cyberpunk dystopia or utopia, this movie couldn’t come out of the usual equation of a hero being jolted out of his slumber and then some obstacles to retrieve some sort of stones and then bada bing bada boom, the world is saved. Gary Oldman was good though. So, multi-time pass.