
1989
Don’t know what’s more dramatically ironic; Elon Musk’s father as the villain here in an 80s movie or Mel Gibson making fun of the Aryan race and their funding of an apartheid state. While the sequel feels like scattering everything everywhere, it’s basically a funnier, more stunt work, explosively bombastic and erotically charged and thus ruined misfired version of Midnight Run which incidentally enough got released just two years before this. Although, a little bit of Joe Pesci makes everything fun.